Told Slant’s Sonic Subversion of New York City

The announcement of Told Slant’s new album, What’s Up, has set the music world abuzz among fans of indie and experimental sounds. As Felix Walworth’s solo project, Told Slant has long been a bastion of creative eclecticism. This latest release promises to be no exception.

Walworth’s approach emphasizes exploring the city as a character in its own right. In press statements, he describes What’s Up as his “New York record,” which delves into the complexities of self-expression and subculture within the city’s notoriously hostile environment. This is more than just a nod to the urban landscape; it’s an acknowledgment of how New York City has shaped – and distorted – the artistic vision of those who call it home.

Musicians like Hannah Pruzinsky, Jonnie Baker, and Ceci Sturman contribute to What’s Up, adding another layer of depth to the record. This is a project driven by a desire for collaboration as much as individual expression. When musicians like Emily Sprague, Mari Rubio, and Elijah Wolf contribute, it creates a sense of sonic democracy – each player brings their own distinct voice and perspective, yet they’re all woven together in service of Walworth’s vision.

Told Slant’s music has never conformed to traditional expectations. Their earlier work on Point the Flashlight and Walk demonstrated a willingness to experiment with soundscapes and narrative structures. What’s Up promises more of the same – but this time, set against the backdrop of New York City’s frenetic energy.

Other artists have attempted to capture the essence of New York City in their work. The Velvet Underground embodied the city’s post-war avant-garde spirit, while musicians like Arca and FKA twigs draw inspiration from the city’s underground club scenes and experimental art worlds. Told Slant’s approach is more nuanced – they’re not trying to capture the city as much as internalize its contradictions.

The album tracklist offers a few hints about what listeners can expect: “Real Love,” “Manhattan,” and “Rain of God” suggest a focus on themes of love, urbanity, and perhaps even divine intervention. Meanwhile, the title song “What’s Up” poses a question – one that’s as much about artistic purpose as it is about personal identity.

Ultimately, Told Slant’s What’s Up feels like a challenge to listeners: can they keep pace with Walworth’s frenetic imagination? The answer will have to wait until September 4th, when the album drops. Until then, fans of experimental and indie music can only speculate – but one thing is certain: this will be an album that rewards close listening and multiple playthroughs.

Told Slant’s UK tour dates offer a chance for British fans to experience their music live. These shows coincide with the Pitchfork Festival London, where attendees should expect something both familiar and disorienting – a sonic portrait of New York City refracted through Walworth’s singular vision.

In the years since Point the Flashlight and Walk, Told Slant has continued to push the boundaries of their sound – experimenting with new textures, structures, and themes. What’s Up represents the culmination of this process: an album that embodies both the best qualities of New York City (its energy, its diversity) and those of its creator (his eclecticism, his willingness to take risks).